Music Maker Free Software! A very common issue faced by the home recording enthusiast will be the question of how to further improve that sound of a rather thin and somewhat tentative vocal track. There's no one size fits all solution, but this is a good way to begin.
In our last article we checked out how panning enables you to help fatten an otherwise thin rhythm instrument including an electric guitar. This article takes the concept a step or two further, applying much the same principle to some lead vocal. If you're using new generation software like REAPER, it is usually a very good illustration of when, how and why you might like to use channel splitting. If you might be using an adult generation program, you'll probably still be able to achieve a similar outcome, nevertheless, you will need to create multiple tracks to get your house it.
Channel splitting is often a technique which permits you to process normally the one track in numerous different ways as well, as though in fact it had been three, four or even more separate tracks. After processing each stream, we then join the tracks up again. The effect of this technique might be stunning.
In this instance, we intend to split our vocal track into three stereo paired streams. By using EQ and by panning each stream differently we're going to create a full, present, powerful vocal effect, with no mushy or echoey believe that you can get while using delay effects. The instructions that follow are incredibly much REAPER specific. There are notes at the end of the article that should assist users of other programs.
First, define the six channels that you will want for the vocal track. To do this, go through the track's I/O button as well as set the number of channels to 6, as shown in the first illustration.
Now open the track's FX window and add in a situation if your preferred VST EQ program. Display the pin connector for this plug-in and hang up the output to Channels 3 and 4 (as shown inside second illustration).
Make such adjustments as you want to the EQ for this track.
Add another EQ instance, display the pin connector and set the output this time around to Channels 5 and 6. Adjust the EQ as you desire, most likely to compensate for the adjustments you've made for channels 3 and 4.
Now add the IX/Mixer_8xM-1xS for the FX chain. This will join the channels together again. Move the faders for channels 7 and 8 all the way for the left (there isn't any audio stream during these channels). As you play the song, experiment with volume and pan settings to the other channels. An example is shown within the third illustration.
As you take part in the song, toggle the FX bypass on / off. You should notice a significant dramatic difference inside power in the vocal track. If you are knowledgeable about compression, try adding a bit gentle compression following the FX chain just for this track, simply to smooth off some in the peaks and edges,
Users of other DAWs should be able to partially produce this effect by creating two copies from the original vocal tracks (including copies in the recorded items themselves) through adjusting the pan, volume and EQ settings of these tracks. Unfortunately, determined by which program you're using you may not be able to add compression on the overall production of all three vocal tracks combined unless you produce a submix specifically with this purpose.
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